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Joe DiMaggio: The Hero's Life (Touchstone Book), by Richard Ben Cramer
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Joe DiMaggio was, at every turn, one man we could look at who made us feel good.
In the hard-knuckled thirties, he was the immigrant boy who made it big—and spurred the New York Yankees to a new era of dynasty. He was Broadway Joe, the icon of elegance, the man who wooed and won Marilyn Monroe—the most beautiful girl America could dream up.
Joe DiMaggio was a mirror of our best self. And he was also the loneliest hero we ever had.
In this groundbreaking biography, Pulitzer Prize-winning journalist Richard Ben Cramer presents a shocking portrait of a complicated, enigmatic life. The story that DiMaggio never wanted told, tells of his grace—and greed; his dignity, pride—and hidden shame. It is a story that sweeps through the twentieth century, bringing to light not just America's national game, but the birth (and the price) of modern national celebrity.
- Sales Rank: #215857 in eBooks
- Published on: 2013-01-22
- Released on: 2013-01-22
- Format: Kindle eBook
Amazon.com Review
In a stunning feat of meticulous reportage, Pulitzer Prize winner Richard Ben Cramer ultimately puts to rest the "Where have you gone, Joe DiMaggio?" question with iconoclastic bravura. In Cramer's evaluation, the hero America held onto so desperately for so long was really a creation of a nation's communal imagination. The Joe DiMaggio that America tried so hard to believe in was never really here at all.
There was, of course, a Joe DiMaggio, and he had a splendid career in Yankee pinstripes--once hitting safely in an unimaginable 56 consecutive games--and a troubled marriage with Marilyn Monroe, each augmenting the other in our national mythology. But myths tend to be skin-deep, and Cramer's biography thrives in an internal geography well below the surface. The map he charts is of a cold, small, often nasty, uncaring, resentful, self-centered man, a man of public grace and private misery who broke friendships, shunned family, and chased money with the same focused energies he once harnessed to run down fly balls. It's not a pretty picture.
Scrupulously researched and elegantly written, The Hero's Life is filled with stories and reminiscences, both on and off the field, from others--not surprisingly, DiMaggio offered no cooperation--that both illumine the man and, more fascinatingly, explain our very need for him. Amid all the success and adulation, there was little joy in DiMaggio's life, and few moments--beyond the real heartache he felt over Monroe--of connection with others beyond Joe's personal need for others to serve him. "No one really knew what it meant to have spent a half-century being precisely and distinctly DiMaggio," Cramer writes, "what we required Joe DiMaggio to be. No one knew, as he did, what it cost to live the hero's life. And no one knew, as he did, precisely what it was worth." It seems our nation turned its lonely eyes to a proud, but empty shell; Cramer's superb book helps us understand why we did, and how DiMaggio was able to take all the good will extended him and give so little back. --Jeff Silverman
From Publishers Weekly
Listening to Cramer read his biography of Joe DiMaggio feels as though you are sitting in a bar talking baseball with a friend, only to have a grizzled regular overhear your conversation and interject pejoratively, "DiMaggio, eh? I'll tell you about DiMaggio." With a tough, throaty accent and straightforward manner, Cramer sounds as if he's telling the whole tale with his arms crossed over the back of a turned-around chair and a toothpick dangling from the corner of his mouth. And for a story about a kid rising from a large Italian family in San Francisco's Fisherman's Wharf to wealth and fame as a superstar for the New York Yankees, the style fits perfectly. Cramer (What It Takes) balances the Hall of Fame outfielder's well-documented highlights--his 10 World Series titles in 13 major-league seasons, astounding 56-game hitting streak and marriage to Marilyn Monroe--with attributes the public never saw: seedy connections, loose morals and a tight fist. Cramer has ably taken his controversial text and pared it down to provide a strong audio performance that will keep his audience engaged right up until closing time. Simultaneous release with Simon & Schuster hardcover (Forecasts, Oct. 16, 2000).
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Cramer does a very creditable job of exploring DiMaggio's life in and out of major league baseball; he's also an excellent reader. We follow "Joltin" Joe from his teens in San Francisco's North Beach neighborhood to his death from lung cancer in 1999. This is a story of how Joe the businessman parlayed his athletic talent, baseball success, and name into a personal fortune over nearly 40 years in the public eye. That he still managed to become a baseball hero seems almost coincidental to his single-minded pursuit of cashing in on his skills. Cramer gives especially fine descriptions of DiMaggio's relationships with his first wife, Dorothy, with Marilyn Monroe, and with his son, Joe Jr., each a disaster of major and lasting importance. Adult language and situations occur; highly recommended, but not for fans younger than the later teens. Cliff Glaviano, Bowling Green State Univ. Libs., OH
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
130 of 145 people found the following review helpful.
A Jolting Biography
By Robert Morris
This book has already stirred up controversy over Cramer's portrayal of DiMaggio and no doubt that controversy will continue for quite some time. I have been a lifelong baseball fan and consider DiMaggio to be among the greatest of those who played the game. He combined natural ability in the five key skill areas (ie hitting, fielding, throwing, base running, and bunting) with a style and grace few others have. Also he was a winner, playing on nine world championship Yankee teams during a 13-year period. No one doubts the on-field achievements of "Jolting Joe." The controversy generated by this book is explained, rather, by Cramer's comments about DiMaggio off the field and especially after he retired.
According to Cramer, DiMaggio was unapproachable to anyone who could not (one way or another) feed his ego, increase his wealth, enhance his lifestyle, or protect his carefully crafted self-image. Throughout most of his life, DiMaggio seemed to ask "What's in it for me?" He not only craved but indeed required treatment normally reserved for heads of state. According to Cramer, he had very few close personal relationships (none with family members) and these were sustained only when in full compliance with the terms and conditions he established. DiMaggio trusted very few people, suspecting that anyone who tried to approach him had ulterior, self-serving motives. There is an old saying about "knowing the cost of everything and the value of nothing." DiMaggio knew both.
One critic has suggested that Cramer is "hostile" to DiMaggio. Another critic has described this book as a "hatchet job." Cramer indicates no doubt about DiMaggio's greatness as a baseball player. That was one game he played superbly. Cramer also seems to have no doubt about another game DiMaggio played in his private life and in his post-baseball career. This second game also had very strict rules set by DiMaggio, rules with which he insisted that everyone else comply. Re Cramer's attitude toward this DiMaggio, I am reminded of Harry Truman who once observed "I just tell them the truth and they think it's hell." After reading this book, you may conclude that Cramer is "hostile", that he has done a "hatchet job" on the Yankee Clipper. Or perhaps you will agree with me that Cramer has accumulated as much information as he could and then portrayed DiMaggio as fully and as honestly as he could.
My guess (only a guess) is that Cramer's DiMaggio would not have objected to this biography if he received at least half (but preferably all) of the royalties from copies sold. No matter what Cramer or anyone else may say about DiMaggio's human imperfections (eg greed and vanity), he played the game of baseball with skills, style, and grace which -- like his 56-game hitting streak -- may never be surpassed.
25 of 30 people found the following review helpful.
Every Legend has flaws, and DiMaggio's weren't fatal.
By Thomas Stamper
I caught a glimpse of the great DiMaggio at a charity golf tournament in February of 1998. He was chipping his ball out of the sand onto the 18th green. The tournament was full of celebrities. No one batted an eye when Joe Namath or Bill Russell sauntered by, but the aged DiMaggio swinging a golf club drew everyone's attention. "Hey DiMaggio is playing 18!" His swing was weak, he had barely a year to live, but I was taken by the man, who with great effort, raked his own divot, despite the fact that anyone would have jumped at the duty. That was class. He still had it.
This book is a long history of why he still had it. It's also a history that makes DiMaggio more human. Like all histories, great men have shadow sides that the public learns about after their deaths. DiMaggio is no different.
Many reviewers have opined that Mr. Cramer has tarnished DiMaggio's image, but I think the opposite is true. Cramer has written of a private introverted man who was heartbroken by Marilyn Monroe and never recovered. DiMaggio wanted the security to remain a private man and for that he relied on making money. No shame to make money from one's own name, when one's life achievements make that name so valuable. It's also true that DiMaggio would be fickle with friends. His need for privacy sometimes drove friends away, but that was his right. He might not have been an easy person to know, but that makes him no less heroic to the public at large. He was a model citizen that went to war when his country called. He stayed out of jail, which isn't always an easy proposition for today's athletes. I like DiMaggio even more, now that I have read this well-written biography. I wish MLB was full of guys with his class.
76 of 98 people found the following review helpful.
it's true 'cause i say so!
By A Customer
When I met Cramer in January 1997, he said "I don't know whether I like [DiMaggio] or not." I was disturbed by that comment for when the biographer refuses to remain objective any research or revelations are suspect since he is prejudiced. This is not to say that icons should not be subject to critical treatments as long as there is balance, so what is written is consequential; not allowing the "flaws" to disproportionately submerge the "strengths" of the individual and vice versa.
I loaned Cramer my research (I was working on a DiMaggio book for the University of Nebraska.) When he told The Sporting News he was going "to blow the lid off" The Legend, I knew he would not be the objective observer he led me to believe. I faxed him to express my concerns and asked for a copy of the book. Cramer called back and snorted: "I don't have to answer to anyone, least of all, you!"
Space does not permit me to address the book's literally dozens of serious errors. Cramer provides only two footnotes, no page notes, and no apparatus of sourcing, aside from the Acknowledgments, making it impossible to verify his reportage.
The men behind Cramer's so-called "hero machine" were not DiMaggio's toadies. "Sport" noted in 12/50 reporters continually "questioned DiMaggio's conduct," citing him for his "childish indifference," and "acting like a spoiled kid." Even pal Ben Epstein in the 8/2/50 New York Mirror wrote DiMaggio "has fallen victim of incredible national worship, and... has 'grown too big for his breeches.'"
He says DiMaggio promised a dying boy he'd tie George Sisler's record and when he learned DiMaggio got the hit, he was cured. Cramer says the story was concocted by DiMaggio and the press. The fact is, the 7/1/41 Associated Press reported only DiMaggio and his teammates knew he had promised the boy the he would BREAK - not tie - Sisler's record and the boy had died before the game started.
He speculates he sold or traded his World Series rings for "services" without offering any proof. DiMaggio's 1951 World Series ring was auctioned at Sotheby's in 10/99, but it came to Barry Halper via the friend DiMaggio gave it to. The fates of the other rings beside his 1936 ring remain a mystery. I asked Cramer where his Pulitzer Prize was; I was stunned when he said he didn't know. Who's to say he didn't trade it for a gem-mint Mickey Mantle 1952 Topps rookie? I can't prove he did. But, since his Pulitzer is AWOL, he can't disprove it, either.
What was the name and number of this "Mob trust fund"? What branch of the Bowery Bank it was at? Are any records of withdrawals? Did the IRS know? Was DiMaggio asked to throw games? Cramer never tells us. He also doesn't tell us DiMaggio told the FBI he declined to front a Mob-run Havana casino in 1957 -- even as he uses excepts from that interview!
DiMaggio is shown carrying $600,000 in cash out of his home after the 1989 San Francisco earthquake, money Cramer says belonged to mobster Abner Zwillman. The 10/25/89 NY Times reported DiMaggio was not allowed home until ONE WEEK later. But let's assume he's right. How long had it been there? Was $600,000 the sum Zwillman left? He doesn't tell us nor how he knew there was $600,000 and it was Zwillman's.
Cramer says DiMaggio didn't attend "Lefty" Gomez's and "Lefty" O' Doul's funerals without mentioning he met with both families before their services. He says he discarded pal Reno Barsocchini and didn't attend his funeral. Ron Fimrite in his 11/6/00 review in Sports Illustrated: "I can personally testify that Cramer is wrong. Reno was a friend of mine, and he was one of the constants in DiMaggio's life. Far from eschewing Reno's funeral, Joe was, with his brother Dom, a weeping pallbearer. I know because I was there." He told the 11/15/00 NY Times Dom DiMaggio cooperated. If he did - and there are charges/stories only he can supply, confirm or deny - that would explain why he is the real hero of "The Hero's Life." Yet with the story of DiMaggio leaving his mother to die alone - a "story" he probably got from Dom or his family - Cramer demonstrates how he is so easily had. Newspapers reported 8 of Mrs. DiMaggio's 9 children were at her beside before she died. The one who wasn't -- Dom!
In his describing DiMaggio's relationship with Marilyn Monroe, he relies heavily on Maury Allen's biography on DiMaggio and Donald Spoto's biography on Monroe, each of which have numerous errors. He repeats Allen's story how their first date took place at the Villa Nova (in Monroe's autobiography, which he quotes, it was a dinner party at Chasen's) and how Mickey Rooney crashed it. In Rooney's autobiography, he never mentions his "role" on that fateful night. And how could've not known Monroe and Rooney did 1950's "The Fireball?" This kind of sloppiness sows seeds of doubt: if he's going to slack off on the little things, why should we believe him on the big ones?
He reports DiMaggio hit Monroe so hard, she had to see her plastic surgeon to see if her nose was broken. This is taken from Spoto's biography, but in Spoto's version, the culprit was Monroe's psychiatrist, Ralph Greenson. Both versions are impossible to verify; like Cramer, Spoto doesn't cite the sources of his allegations.
"Vince (Joe's older brother) was cut off from the family when he ran away to play baseball, met a girl, and got married against his father's wishes," Cramer told a 10/25/00 USA Today chat. "Joe never stuck up for Vince, though it was Vince who got him his first job in baseball." This is flat-out wrong. Vince (who died in 1986) told Jack Moore in "Joe DiMaggio: A Bio-Bibliography" when his parents wouldn't sign a baseball contract, he left home. He returned 3 months later with $1,500 in cash, proving there was money in baseball. Vince later got his manager to let Joe - who was playing semi-pro ball - play in the last 3 games of the SF Seals' 1932 season. He never hinted to Moore Joe was involved, much less, if he "stuck up" for him. Nor does he mention a marriage.
On the 11/14/00 "Real Sports with Bryant Gumbel," Cramer responded to DiMaggio's lawyer's comments on the book with a tirade too disgusting to put here. Marilyn Monroe once said she felt those who wrote about her were saying more about themselves than about her. Now you exactly what she meant.
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