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"If I had a talent for anything, it was a talent for knowing who was talented."
Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, has remained well loved and respected through four decades of moviemaking. What further sets him apart is his role in bringing to the screen some of the most acclaimed Oscar-winning films of our time: Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle are just some of the projects he green-lighted at United Artists, Orion, TriStar, his own Phoenix Pictures.
"The ultimate lose-lose situation for a studio executive: to wind up with a commercial bomb and a bad movie."
Of course, there are the box office disasters, and the films, as Medavoy says, "for which I should be shot." They, too, have a place in his fascinating memoir -- a pull-no-punches account of financial and political maneuvering, and of working with the industry's brightest star power, including Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Kevin Costner, Robert De Niro, Jodie Foster, Sharon Stone, Michael Douglas, Meg Ryan, and countless others.
"Putting together the elements of a film is a succession of best guesses."
Medavoy speaks out on how movie studio buyouts have stymied the creative process and brought an end to the "hands-off" golden age of filmmaking. An eyewitness to Hollywood history in the making, he gives a powerful and poignant view of the past and future of a world he knows intimately.
- Sales Rank: #1177193 in eBooks
- Published on: 2013-06-25
- Released on: 2013-06-25
- Format: Kindle eBook
From Publishers Weekly
Studio mogul Medavoy and journalist Young worked for two years on this hefty Hollywood history. Documenting decades of filmmaking with authoritative ease, Medavoy's memoir mainly focuses on ad campaigns, big budgets, box-office battles, executive egos, movie marketing and the politics of deal-making. Slipping in only four paragraphs about his childhood in Shanghai and Chile, his UCLA education and his family history, Medavoy instead tells of his career's early years, starting in the Universal mailroom, then moving into casting. Rising as a top agent, he packaged such films as The Getaway and Jaws, and his client list included Francis Ford Coppola, Steven Spielberg and Jane Fonda. "I had two requirements for my clients," he writes, "that they be talented and that they be passionate about their work." Medavoy moved into production by joining United Artists in 1974, and his insider anecdotes of those productions (Rocky, Apocalypse Now, Coming Home and New York, New York) are revelatory. Cofounding Orion in 1978, he worked with leading talents like Woody Allen and oversaw top-grossing films (e.g., The Silence of the Lambs and Dances with Wolves). In 1990 he became chairman of Tri-Star, a stint that was followed by more successes in the mid-1990s with Phoenix Pictures. Other chapters detail his efforts to garner Hollywood support during Gary Hart's and Bill Clinton's presidential campaigns. Medavoy maps some of the same territory readers know from Robert Evans's The Kid Stays in the Picture and Peter Biskind's Easy Riders, Raging Bulls, yet the writing lacks the electricity and humor found in those titles. This is a solid memoir, yet some may wish Medavoy had covered certain films in depth instead of compressing 40 years to fit into one book. Photos not seen by PW. (Feb. 15)Forecast: Anyone interested in the marketing of motion pictures will seek this book out.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
In a refreshing departure from the typical gossipy Hollywood behind-the-scenes memoir, producer/executive Medavoy (chair, TriStar Pictures and Phoenix Pictures; cofounder, Orion Pictures) focuses on the complex business deals, negotiations with distributors, and political exigencies necessary to make a successful motion picture coalesce. This could be a boring lesson in corporate machinations, but Medavoy is an engaging storyteller as he traces his rise to fame and fortune from his humble beginnings working in the mailroom at Universal Studios to making such landmark films as Philadelphia and Apocalypse Now. The dynamics of power brokership in Hollywood, the prime importance of the distribution network, and the battles for controlling rights are among the topics explored in the jaunty, entertaining narrative. There are some shopworn themes fame is fleeting, actors are prima donnas, and films can have a great social impact but this book nevertheless offers an engrossing exploration of what really makes Hollywood tick. Highly recommended for academic libraries and all cinema collections. Richard W. Grefrath, Univ. of Nevada Lib., Reno
Copyright 2002 Reed Business Information, Inc.
From Booklist
With 300 movies, including Apocalypse Now, The Silence of the Lambs, and Rocky, to his credit, producer Medavoy is a big-time player, and it is hard to argue with his qualitative assessment of his output (note the subtitle). His breezy, confident memoir (comes naturally when you own seven best-picture Oscars) delineates the creation of and the fingerpointing occasionally attendant on some of the biggest American films since the '60s; and it delivers devastating details on the Hollywood process. Speaking of the disastrous Hudson Hawk, a d.o.a. feature produced by others and released during Medavoy's reign as chairman of Tri-Star, he notes it was hamstrung by "three classic problems: (1) the star [was] the co-writer, (2) the producer [was] more powerful than the director, and (3) the director had never done a big film before." Timeless critical words to remember, vitally important in the era of product placement, commercial tie-ins, and the primacy of the teen audience. Mike Tribby
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
9 of 10 people found the following review helpful.
Great history of the movies from the 70s till now
By Rick Spell
If you like movies over the past 30 years, you'll love this book. It's well written by an intelligent man who saw the industry from a perspective few do, as studio head. The man that writes the checks. Medavoy is pretty blunt about how movies get made and how he managed to make bad movies as well as good.
The highlight of the book comes early as he is in charge of production at UA and produces Best Oscar movies repeatedly in his first few years starting with One Flew Over the Cuckoo's Nest and Rocky. UA specialized in making artist's driven movies which shaped Medavoy's footprint to stay away from youthful, tentpole event movies throughout his career. From Rocky to The Terminator to Silence of the Lambs you will be amazed at the stars and movies that Medavoy worked with. To further this study of movie history, after UA Medavoy worked at Tri-star pictures shortly after it was purchased by Sony working with Peter Guber and Jon Peters. This first-hand account of the Japanese invasion in Hollywood is interesting in and of itself.
Medavoy does a great job of focusing this book on the movies, the personalities involved, and the business side of the industry. He does not burden the reader with unwanted history of his childhood. But he does give great insight into the cultural influences of his job, the intellectual environment he functioned in, and his political involvement with Gary Hart and Bill Clinton. I strongly recommend this book if you like movies, stories of the business side of making movies, or American cultural influences of the last 30 years.
While on vacation a year ago, I played tennis for a couple of days with Medavoy and his business associate Arnie Weems. In my brief encounter with him, it's obvious he is an extremely intelligent man. A somewhat reserved man, who showed no real interest in intellectual discussion but only in relaxing and enjoying his tennis. His associate who was mentioned in the book was much more outgoing and friendly. I believe Medavoy's reserved nature is due to the many people who want to know him to somehow break into the movie business so his reserved nature is understandable.
13 of 16 people found the following review helpful.
the insider
By C. Holly
My friend gave me a copy of this and I couldn't put it down. Medavoy gives a killer insider's view of what it is really like to run a film studio. If you want to know what really went on behind great films like Silence of the Lambs and Rocky, Medavoy tells you. There are great stories about Robert Redford and Kevin Costner, but the funniest is about Madonna trying to get her first movie. Recommended for people who want to know more about the behind the scenes of movies in the 70's, 80's and 90's.
7 of 9 people found the following review helpful.
A solid memoir...that lacks something...
By Robert Wellen
Medavoy is a character I've read about before, most notably in Hit and Run, one of the most fascinating Hollywood books ever written. He has been behind many fantastic movies and worked with some terrific characters. However, this book misses it's mark--it is really worth 3.5 stars but I rounded down. There are interesting stories--particularly about building a movie company, but the stories are without that depth that the best Hollywood books provide. There are almost no personal details about Medavoy's life--which while he probably wants to maintain his privacy, leave the story lacking. His political adventures are interesting, but more interesting that his personal life? He is critical of people, but in a way that leaves you wanting more. Perhaps I love dirt, and Medavoy is too classy for that. Perhaps he wants to maintain his working relationships. Nevertheless, he plays humble, and probably is. Autobiographies in Hollywood are a tricky genre, but Robert Evans provided a terrific read with the Kid Stays in the Picture. This books has a good stories and interesting moments, but was at times slow and often told the same story over and over. We got the point the first time Mike. I'm not upset I read it, but expected so much more. He has must have some great stories in there somewhere...
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