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The Vicar of Wakefield, by Oliver Goldsmith
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Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.
- Sales Rank: #213565 in eBooks
- Published on: 2012-11-26
- Released on: 2012-11-26
- Format: Kindle eBook
Review
Novel by Oliver Goldsmith, published in two volumes in 1766. The story, a portrait of village life, is narrated by Dr. Primrose, the title character, whose family endures many trials--including the loss of most of their money, the seduction of one daughter, the destruction of their home by fire, and the vicar's incarceration--before all is put right in the end. The novel's idealization of rural life, sentimental moralizing, and melodramatic incidents are countered by a sharp but good-natured irony. -- The Merriam-Webster Encyclopedia of Literature
About the Author
Oliver Goldsmith is Associate Professor of Economics at the University of Alaska.
Most helpful customer reviews
44 of 44 people found the following review helpful.
The Consolations of Philosophy and Religion
By mp
Oliver Goldsmith's 1766 novel, "The Vicar of Wakefield" offers the trials and tribulations of Primrose, an ecclesiastic living in the English countryside. Primrose is content in his life, with a faithful wife, and lovely, if somewhat distracted children. Hearing that his banker has gotten into trouble and fled the country, Primrose and his family begin a series of adventures which test the strength of Primrose's convictions.
Among the issues which Goldsmith addresses in the novel are social ambition in a rigid class system, the drawbacks and benefits of a relatively liberal household, and the admittedly imperfect nature of the British legal system. Sprinkled throughout the novel are various discourses on the notion of liberty, the primacy of the monarchy, and a wealth of interesting references to British imperialism and colonial slavery.
Regarding the class system, Primrose seems throughout the novel, to eschew the idea that social or economic mobility is possible, or even desirable. He posits, in a way that follows Aristotle and Edmund Burke, that people are fit for certain stations by their very nature; and that such social partitioning is right and should be maintained. Primrose also appears as a latter day Horace, championing the virtues of simple, rustic life. This pastoral life is directly associated in the novel with the laboring classes, who, not without faults themselves, manage to avoid the intrigues and excesses of the consistently vilified city folk.
Goldsmith's writing style is fast-paced, with clear, direct language, wonderfully rendered characters, and a surprising number of plot twists for so short a work. Primrose and his eldest son George are the two finest characters in the novel. Both exhibit a picaresque tendency to wander and interact - Primrose with the intellectual/philosophical elements, and George with the material/experiential elements in the world. This is altogether a wonderful, spirited novel, and Stephen Coote's introduction to this Penguin edition is excellent in its explication of the novel's major themes and concerns.
11 of 11 people found the following review helpful.
A thoroughly good read that still has relevance today.
By Marcus Jones
"Conscience is a coward, and those faults it has not strength enough to prevent, it seldom has justice enough to accuse." So ends chapter 13 in this delightful novel by Oliver Goldsmith, his only novel by the way.
Oliver creates a pious character in the form of the vicar, Dr Primrose, that suffers from that most deadly of the 7 deadly sins, Pride. The problem is he doesn't know it. As a result he is brought down peg by peg, and made a thorough fool of in the process, in a way that is comical and warm to the reader. The vicar becomes a most beloved character by way of his suffering and in the end I'm sure will have earned from even the most hard hearted reader that most cherished gift a reader can bestow upon any flawed character, redemption.
Oliver also creates villiany, more like evil incarnate, in the form of Mr. Thornhill. Thornhill is central to the most severe of the hardships suffered by the vicar and his family. A very meddlesome and self-centered character indeed!!
Written in the 1750's, it has it all. Greed,envy,lust,unjust imprisonment, even prostitution. Yes, It's hard to believe a novel written in the 1750's could even touch on the subject, but nevertheless it is central to the plot.
Combine all this with some of the finest wit in English literature and you've got a great way to spend a weekend. The book is less than 200 pages and moves along at nice pace from page one. Well worth everyone's time.
9 of 9 people found the following review helpful.
An 18th Century essential
By Bluestalking Reader
I agree with the reviewers who've described this as a slow read. No argument there. But it's also a very important 18th Century work and one essential to anyone interested in the literature of the period. If you read the book with an ironical slant it's much easier to see that there is actual humor in the often improbable situations. Granted, it may not be laugh out loud humor, but it is there. The poor vicar is modeled on the biblical Job, to a very exaggerated extent. It's so exaggerated that the modern reader will likely be rolling his eyes, I know. If you're looking for tight plot and fast pace this won't be your book, but those reading 18th Century literature will realize the novel was much different at the beginning that it is now. You don't read THE VICAR OF WAKEFIELD for the plot. You read it for the study. It remains an important book.
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